Archive for the 'Martha Ullman West' Category

Belly-dancing on the Nile: Our far-flung correspondent hobnobs and returns

Wednesday, March 10th, 2010

Martha Ullman West, Art Scatter’s chief correspondent, has been trotting the globe. She’s endured an evening of wretched belly-dancing on the Nile, chatted with a centenarian ballet dancer in Philadelphia, revisited the works of Jerome Robbins in New York, and returned home to Portland, where she found irritation with Random Dance and happiness with Oregon [...]

Sweet civility in the new ballet season (if nowhere else)

Friday, January 29th, 2010

Art Scatter’s chief dance and decorum correspondent, Martha Ullman West, takes a look at Oregon Ballet Theatre’s upcoming season and discovers hope for artistic manners in the midst of a meltdown of civil rudeness.

The ballet just might be the last bastion of civility in what used to be a civil society.
Consider the evidence:

A certain Supreme [...]

I love Paris at the Opera Ballet (but not the movies)

Thursday, December 17th, 2009

Martha Ullman West, Art Scatter’s chief international dance correspondent, took in “La Danse,” Frederick Wiseman’s documentary film about the legendary Paris Opera Ballet. How does it go wrong? Let her count the ways:

Last night I took a friend to Cinema 21 to see a benefit screening of La Danse, documentary filmmaker Frederick Wiseman’s take on [...]

A dance critic at the opera: Move it, singers!

Thursday, November 12th, 2009

Remember the old days, when Cadillac-sized opera singers planted their feet among the scenery and belted beautiful music with no thought to the dramatic possibilities of the opera? Art Scatter’s senior correspondent Martha Ullman West does, and she shudders at the memory. What’s more, she sees the old style’s residual effects in the staging of [...]

OBT dancers stage a little ‘Uprising’: Catch it if you can

Wednesday, November 4th, 2009

Martha Ullman West, Art Scatter’s esteemed global correspondent for the terpsichorean arts, files this report from last night’s action in the balletic trenches of Mississippi — that is, North Mississippi Street in Portland. Sounds like a good place to move your feet tonight or tomorrow:
Last night at Mississippi Studios, where six of Oregon Ballet Theatre’s [...]

Up, down, all around the town: ‘No Exit’ from the dance

Monday, October 26th, 2009

Art Scatter’s indefatigable chief dance correspondent Martha Ullman West, fresh from a sojourn in the Big Apple, hit the ground running on her return to Portland. In a week and a half she took in the Northwest Dance Project’s fall show, White Bird’s presentation of  the Hofesh Shechter Company, Jim McGinn and Carla Mann’s “Exquisite [...]

An ‘Emerald’ out of the rough: second thoughts on OBT

Tuesday, October 13th, 2009

Once again Art Scatter is pleased to have the considerations of dance critic Martha Ullman West appear in our august corner of virtual space. Martha, who also reviews ballet for The Oregonian, is working on a biography of dancer and choreographer Todd Bolender. Plus, she’s a charter member of Friends of Art Scatter and the [...]

Remembering Merce in his element: the vast Northwest

Monday, August 3rd, 2009

Dance critic and historian Martha Ullman West has spent a lot of time thinking about Merce Cunningham, the great 20th century dancer and choreographer who rethought what dance means by  introducing chance as a primary element in the mix. Cunningham, who was born and raised 90 miles from Portland in the small town of Centralia, [...]

Michael Jackson: a trip to the moon on gossamer wings

Saturday, June 27th, 2009

Michael Jackson was a great dancer. And a very American one, heavily influenced by John Travolta and touted as such by Fred Astaire, an even greater American dancer.
It was this part of his talent that made me mourn this sad man’s passing: The strength of my response to the news of his death surprised me, [...]

Elegant, physical, forward dance: The pleasure was ours

Tuesday, June 23rd, 2009

Our partner-in-scattering Martha Ullman West, taking a break from the balletic battles, scurried over to Performance Works Northwest over the weekend for a shot of contemporary-dance fresh air. Here’s her report:
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“I am wired for skepticism.  I cannot leave the questions alone.  They unravel everything.  My skepticism is like an old screen door. There is a [...]

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